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What is the relationship between cinema and spectator? That is the central question for film theory, and renowned film scholars Thomas Elsaesser and Malte Hagener use this question to guide students through all of the major film theories - from the classical period to today - in this insightful, engaging book. Every kind of cinema and film theory imagines an ideal specta What is the relationship between cinema and spectator?
Every kind of cinema and film theory imagines an ideal spectator, and then imagines a certain relationship between the mind and body of that spectator and the screen. Using seven distinctive configurations of spectator and screen that move progressively from 'exterior' to 'interior' relationships, the authors retrace the most important stages of film theory from to the present, from neo-realist and modernist theories to psychoanalytic, 'apparatus', phenomenological and cognitivist theories.
Film Theory: An Introduction Through the Senses
Paperback , pages. Published December 16th by Routledge first published To see what your friends thought of this book, please sign up. To ask other readers questions about Film Theory , please sign up. Lists with This Book. This book is not yet featured on Listopia.
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May 09, Simone rated it liked it Shelves: Film Theory and Criticism. An Introduction, 3rd Edition. Sponsored products related to this item What's this? Image Making for Cinematographers and Director Set Lighting Technician's Handbook: Film Lighting Equipment, Practice, and Electric The Video Editing Handbook. Create fun, effective videos to boost your communication and sell your ideas. The Official Outlander Companion Cookbook.
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Write a customer review. There was a problem filtering reviews right now. Please try again later. Great book it has been a huge help with my classes. One person found this helpful 2 people found this helpful.
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Instead of the usual historical or conceptual organization, the author uses a set of film topos--window, frame, screen, threshold, face, close-up, look, gaze, etc. Doing obeisance to a current theoretical shibboleth, there is an obligatory discussion of the body in relation to cinema. I liked the discussion of the window and frame, but the book quickly degenerated into the oneiric obscurity typical of post-modern academic prose.
The main problem with such histories is the tendency to make vast generalizations about how films affect individuals, generalizations which ignore the great variety of films and spectators, and which are unverifiable, being merely the abstract fantasies of narcissistic academics. Amazon Giveaway allows you to run promotional giveaways in order to create buzz, reward your audience, and attract new followers and customers. An Introduction through the Senses has been extensively revised and rewritten throughout, incorporating discussion of contemporary films like Her and Gravity , and including a greatly expanded final chapter, which brings film theory fully into the digital age.
His recent books include: Malte Hagener is Professor of media studies at Marburg University. He has written Moving Forward, Looking Back: Every kind of cinema and every film theory first imagines
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